Welcome to "Ranked", a weekly series where I rank a franchise or filmography from worst to best and hand out assorted related superlatives. This week, I'm profiling the work of Hugh Jackman-whose latest project "The Death of Robin Hood" releases in theaters on Thursday.
Hugh Jackman's Filmography Ranked:
25.Movie 43 (D)
24.The Fountain (C-)
23.The Greatest Showman (C)
22.Chappie (C)
21.X-Men Origins: Wolverine (B-)
20.The Front Runner (B-)
19.Reminiscence (B-)
18.Van Helsing (B-)
17.X-Men: The Last Stand (B-)
16.Deadpool & Wolverine (B-)
15.X-Men (B-)
14.Eddie the Eagle (B-)
13.The Wolverine (B)
12.Rise of the Guardians (B)
11.Butter (B)
10.Real Steel (B)
9.The Prestige (B)
8.Song Sung Blue (B)
7.Logan (B)
6.The Sheep Detectives (B)
5.Bad Education (B+)
4.X2 (B+)
3.Swordfish (B+)
2.X-Men: Days of Future Past (B+)
1.Prisoners (B+)
Top Dog: Prisoners (2013)
While a recent rewatch did knock it down a peg or two in my eyes, Prisoners remains a captivating mystery thriller full of excellent performances, skin-crawling dread and unflinching bleakness.
Bottom Feeder: Movie 43 (2013)
This abysmal anthology comedy will always and forever be one of the greatest misuses of talent in the history of Hollywood. It's honestly awe-inspiring that so many respected actors carved out time in their crowded schedules to appear in something that is full of some of the most brutally unfunny lowbrow humor to ever grace movie theater screens worldwide. Peter Farrelly, who served as the primary brainchild of this unholy creation, has to be thankful that he was so well-established in the industry when this released in January 2013 because who knows what kind of damage this could've done to his career if it had come out right after Dumb and Dumber or There's Something About Mary.
Most Underrated: Swordfish (2001)
I saw Swordfish when I was in high school in the late 2000's and in a development that will surely shock anyone who knows my taste in movies, I was absolutely smitten with its over-the-top action thriller hijinks. When I decided to rewatch it yesterday afternoon, I was nervous that it wasn't going to cast the same spell on me as an adult. To my delight, it hit just as hard now as it did then. Maestro Dominic Sena followed up his excellent work on Gone in 60 Seconds with this majestic trash can symphony that distills the most endearing parts of late 90's/early 2000's genre filmmaking into 99 minutes of pure, adrenaline-fueled absurdity. If Swordfish came out today, a good percentage of the CinemaSins-fueled logic police crowd that is so prevalent in film discourse spaces would probably need to go to the emergency room to recover from the damage the plot inflicted upon their precious big brains.
Most Overrated: Deadpool & Wolverine (2024)
As someone who has defended and/or celebrated a number of the post-Endgame MCU movies, I have to say that I'm slightly nauseated by the fact that Deadpool & Wolverine is widely viewed as one of the few triumphs they've produced during this period. To be fair to Ryan Reynolds, the idea of bringing Deadpool into the MCU by shitting all over the powerful ending of Logan by reviving Jackman's Wolverine is a funny idea that leads to some great bits. The problem is that the movie eventually morphs from a fun spoof of the genre's nostalgia porn to a full-blown embrace of it and not even some hilarious surprises like Wesley Snipes returning as Blade is enough to save it from its own shamelessness.

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