Welcome to "Ranked", a weekly series where I rank a franchise or filmography from worst to best and hand out assorted related superlatives. This week, I'm profiling the work of Rebecca Ferguson-whose latest project "Mercy" releases in theaters today.
Rebecca Ferguson's Filmography Ranked:
15.The Greatest Showman (C)
14.Florence Foster Jenkins (C)
13.Men in Black: International (C+)
12.The Kid Who Would Be King (B-)
11.Hercules (B-)
10.Life (B-)
9.A House of Dynamite (B-)
8.Reminiscence (B-)
7.Mission-Impossible: Rogue Nation (B)
6.Dune: Part Two (B)
5.The Girl on the Train (B+)
4.Dune (B+)
3.Doctor Sleep (B+)
2.Mission-Impossible: Dead Reckoning (B+)
1.Mission-Impossible: Fallout (B+)
Top Dog: Mission-Impossible: Fallout (2018)
The Mission-Impossible franchise was able to maintain a pretty consistent quality standard once the scale got upped with the third film that would be the envy of most other long-running franchises. While I don't believe the gap is as significant as some people do, Fallout does sit a bit above the other entries that came out during this 20-year golden period for Tom Cruise's spy franchise. Fallout earned its way to the top of the pack for one simple reason: the action sequences and stuntwork are the craziest of the entire franchise. This movie just stacks propulsive setpieces on top of each other until it rides off into the sunset after 2.5 glorious hours. It's just an unbelievable accomplishment that will have action movie fans gushing for the rest of time.
Bottom Feeder: The Greatest Showman (2017)
Michael Gracey's stylish, technically dazzling direction on Better Man impressed me so much that I decided to finally give The Greatest Showman a shot. After watching it, I'm blown away that these two films were directed by the same person. The Greatest Showman is really the anti-Better Man as it doesn't have an interesting, risk-taking bone in its body. The starry cast (Hugh Jackman, Michelle Williams, Zac Efron, Zendaya, Ferguson) does what they can to try and elevate the material they were given, but they're just no match for the heaping helping of vanilla "follow your dreams" sentimentality and cutesy focus group-tested songs that this film serves up.
Most Underrated: The Girl on the Train (2016)
Being utterly delighted by The Housemaid last month got me thinking about other trashy thrillers that have come out in the past decade. The Girl on the Train has become the most slept-on title from the initial wave of titles from this subgenre that arrived on the scene after the success of Gone Girl brought it back into the spotlight. Emily Blunt does some of the best work of her storied career as a blackout-prone alcoholic who isn't quite sure if she witnessed the murder of a young woman (Haley Bennett) from a commuter train bound for New York City, Tate Taylor delivers the sturdy direction that made him one of the most in-demand studio filmmakers of the 2010's and the stacked supporting cast (Justin Theroux, Ferguson, Allison Janney, Lisa Kudrow, Luke Evans) help sell the shit out of the barrage of absurd twists that make or break these kinds of movies.
Most Overrated: Dune: Part Two (2024)
Denis Villeneuve is somebody who handles spectacle and tension incredibly well but tends to struggle with delivering emotion. This has never been more apparent in a film of his than it is in Dune: Part Two. The transformation of Paul Atreides from potential liberator of the oppressed to budding tyrant is supposed to be this devastating tale about how power corrupts and yet through the combination of Dune's unbelievable scale and emotional coldness, it never gets close enough to Atreides for the viewer to feel the true weight of his turn towards darkness. The lack of emotional substance in Dune: Part Two is the main reason why my excitement level for the more character-driven Dune: Part Three is so muted.
