Monday, May 25, 2015

2015 NFL Position Rankings: Top 30 Guards

30.Oday Aboushi (Jets)
29.Trai Turner (Panthers)
28.Andrew Norwell (Panthers)
27.Logan Mankins (Buccaneers)
26.Todd Herremans (Colts)
25.Geoff Schwartz (Giants)
24.Andy Levitre (Titans)
23.Ben Grubbs (Chiefs)
22.Ronald Leary (Cowboys)
21.Ramon Foster (Steelers)
20.Alex Boone (49ers)
19.Jahri Evans (Saints)
18.David DeCastro (Steelers)
17.Brandon Linder (Jaguars)
16.Joel Bitonio (Browns)
15.Clint Boling (Bengals)
14.Orlando Franklin (Chargers)
13.Matt Slauson (Bears)
12.Larry Warford (Lions)
11.T.J. Lang (Packers)
10.Louis Vazquez (Broncos)
9.Mike Iupati (Cardinals)
8.Brandon Brooks (Texans)
7.Kevin Zeitler (Bengals)
6.Zach Martin (Cowboys)
5.Kyle Long (Bears)
4.Kelechi Osemele (Ravens)
3.Josh Sitton (Packers)
2.Evan Mathis (Eagles)
1.Marshal Yanda (Ravens)

Friday, May 22, 2015

2015 NFL Position Rankings: Top 30 Tackles

30.Phil Loadholt (Vikings)
29.Anthony Davis (49ers)
28.Cordy Glenn (Bills)
27.Derek Newton (Texans)
26.Marcus Gilbert (Steelers)
25.Donald Penn (Raiders)
24.Russell Okung (Seahawks)
23.Nate Solder (Patriots)
22.Zach Strief (Saints)
21.Riley Rieff (Lions)
20.Lane Johnson (Eagles)
19.Doug Free (Cowboys)
18.Ricky Wagner (Ravens)
17.Demar Dotson (Buccaneers)
16.King Dunlap (Chargers)
15.Kelvin Beachum (Steelers)
14.Anthony Castonzo (Colts)
13.Eugene Monroe (Ravens)
12.Bryan Bulaga (Packers)
11.Sebastian Vollmer (Patriots)
10.Branden Albert (Dolphins)
9.Jared Veldheer (Cardinals)
8.Ryan Clady (Broncos)
7.Duane Brown (Texans)
6.Trent Williams (Redskins)
5.Joe Staley (49ers)
4.Tyron Smith (Cowboys)
3.Jason Peters (Eagles)
2.Andrew Whitworth (Bengals)
1.Joe Thomas (Browns)

Thursday, May 21, 2015

Album Review: Veil of Maya-Matriarch

Illinois-based deathcore act Veil of Maya had its first member change in nearly four years when vocalist Brandon Butler-who had been with the band since the release of their 2008 breakout album The Common Man's Collapse- left the band in the fall of 2014 due to creative and personal differences. The creative differences that forced Butler out of the band are apparent when listening to the band's new LP, Matriarch, which for better or worse, sees Veil of Maya putting a more accessible, melodic twist on their established sound.

To its credit, Matriarch starts off on a pretty strong note. It definitely deviates from the progressive deathcore style they're known for while also still utilizing a lot of the strengths that have defined their music since day one. "Leeloo" is driven by one of guitarist Marc Okubo's trademark distorted, skip-heavy groove riffs and features some pretty excellent high screams from new vocalist Lukas Magyar while "Lucy" is a blisteringly technical track with bursts of well-constructed melody that wouldn't sound out of place on Eclipse or (id). Even though the band is trying to establish a new voice on Matriarch, it's nice to see that they haven't completely abandoned their roots. While "Leeloo" and "Lucy" beckon back to the Veil of Maya of old, "Ellie" and "Mikasa" serve as a representation of what the newest incarnation sounds like. These tracks are sure to catch longtime listeners of the band off-guard with their inclusion of clean vocals and super melodic guitars, but if you can get over the shock of hearing singing and non-distorted guitars in a Veil of Maya song, they are pretty effective tracks. Magyar makes his presence felt on these tracks by displaying his knack for writing memorable vocals melodies (the hook on "Mikasa" hasn't left my head since I listened to this album) and a pretty impressive voice that is reminiscent of Periphery frontman Spencer Sotelo. Clean vocals proved to be a pretty solid addition to their musical cannon and Magyar's solid performance in the early portion of the record disproves the myth that clean vocals had no place in Veil of Maya's music.

After the first half of Matriarch any fears about Veil of Maya losing their edge with their new vocalist appeared to be put the rest. The second half drastically changes that. Aside from the heavy-as-all-hell "Phoenix", the second half of Matriarch consists of nothing but middling filler tracks. The successful balance of their newfound melody with vintage grooves suddenly vanishes and is replaced by a series of songs loaded with limp djent riffs and practically no vocal variation.

The failure of the second half album can be equally attributed to Okubo's flat songwriting and Magyar's vocal deficiencies. Okubo's attempts to make the band more accessible has taken away from a lot of the magic from their music. Okubo has made a name for himself over the years by using a playing style that made heavy use of effects pedals, odd-meter melodies and grooves that were equal parts Meshuggah-worship and traditional death metal. In other words, you knew who was playing it the minute you heard it. On Matriarch, that style is put to the side in favor of a barrage of second-tier djent riffs and repetitive clean melodies that are used by dozens of bands in the scene. Okubo is still a very gifted guitar player who lays down his fair share of quality riffage on this record, he's just no where near as exciting to listen to when he abandons his singular identity.

As for Magyar, the further the album goes along, the more clear it becomes that the band is not tailored to his strengths as a vocalist. The mid-range scream he resorts to a majority of the time is average at best and becomes extremely monotonous when he rarely deviates it from on tracks like "Danerys", "Lisbeth" and "Three-Fifty". Even the clean vocals that worked so well earlier in the album start to become uninspired in the latter stages of the record due to sheer repetition and awkward placement within songs. If Magyar had simply thrown in some of the great high screams or catchy clean vocal lines he used earlier in the album, these songs would've been noticeably better. Magyar's mostly underwhelming screams are especially disappointing considering he's replacing a man in Butler who had one of the most unique and impressive range of screams. The distinct vocals of Butler paired with the relentlessly crushing and uniquely layered guitarwork from Okubo made Veil of Maya one of the premiere acts in the genre. With both of those assets now out of the picture, Veil of Maya has become just another pedestrian act in a seemingly eternal sea of -core bands.

While Matriarch isn't without its redeeming qualities, it's still far and away the weakest record in Veil of Maya's discography. I'm not at all opposed to bands changing their sound, but when a band chooses to sacrifice a lot of what made them standout to become more generic, it's really frustrating. Veil of Maya has far too strong of a track record for Matriarch to be a death sentence to their career, but they're going to need to bring the back the grit and complexity to their music if they want their next chapter as a band to be a successful one.   
      
3/5 Stars
Standout Tracks
1.Leeloo
2.Lucy
3.Phoenix

Wednesday, May 20, 2015

2015 NFL Position Rankings: Top 20 Tight Ends

20.Kyle Rudolph (Vikings)
19.Owen Daniels (Broncos)
18.Jordan Reed (Redskins)
17.Larry Donnell (Giants)
16.Zach Ertz (Eagles)
15.Heath Miller (Steelers)
14.Coby Fleener (Colts)
13.Charles Clay (Bills)
12.Jordan Cameron (Dolphins)
11.Dwayne Allen (Colts)
10.Travis Kelce (Chiefs)
9.Delanie Walker (Titans)
8.Vernon Davis (49ers)
7.Jason Witten (Cowboys)
6.Martellus Bennett (Bears)
5.Julius Thomas (Jaguars)
4.Antonio Gates (Chargers)
3.Greg Olsen (Panthers)
2.Jimmy Graham (Seahawks)
1.Rob Gronkowski (Patriots)

Tuesday, May 19, 2015

Movie Review: Pitch Perfect 2

Out of all the films that have become breakout successes in the past few years, none has followed a more unconventional path to success than musical/comedy Pitch Perfect. The film-which was released in late September 2012- was a modest success grossing $65 million during its theatrical release, but became a bonafide sensation in its post-theatrical run following the breakout success of Anna Kendrick's "Cups" from the film's soundtrack and strong word-of-mouth which led to the film grossing over $100 million in Blu-Ray and DVD sales. Naturally, Universal capitalized on that success and offically greenlit a sequel in April 2013. With a film like Pitch Perfect, the sequel could've easily been a half-assed affair that only existed for the actors and studio to cash in on the now-lucrative Pitch Perfect brand. Thankfully, Pitch Perfect 2 couldn't be further from a pointless cash grab.

Like all good sequels, Pitch Perfect 2 effortlessly overcomes the burden of heightened expectations and pleasing the film's established fanbase by making a film that is cut from the same mold as the original yet is still fresh enough to not feel like a complete retread. Returning screenwriter Kay Cannon and first-time director Elizabeth Banks-who also produced and co-stars in the film- take the first film's mix of a capella singing and rapid-fire absurdist humor, and raises it to the next level. A majority of Pitch Perfect's audience have gravitated towards this series strictly because of the music and the sequel does not fail to deliver with its plethora of musical sequences. The musical numbers are on a much grander scale this time around and enhanced sense of spectacle makes the musical portions of the film much more striking. Personally, I felt the musical numbers (save for the rousing finale) in the first installment fell pretty flat. The over-the-top arrangements and choreography as well as much better song choices make the a capella sequences this time around a whole hell of a lot better than they were in the first film. 

However, like the original, Pitch Perfect 2 is driven by its comedic elements. Because of Pitch Perfect's musical backbone, the film's highly effective oddball humor is largely glossed over by fans and critics alike. T Just like the musical elements, the comedy here is also a major improvement from the first. The film's primary cast (a.k.a the actressess that make up the Barden Bellas a capella group) anchored by Anna Kendrick, Rebel Wilson,  Ester Dean and Hana Mae Lee once again turn in rock-solid and wonderfully hilarious performances. There's a seriously great comedic chemistry between the entire Barden Bella ensemble and their rapport has only grown stronger in their second film working together. While the main cast delivers once again, the much-improved supporting cast really pushes the film over the edge. Series newcomers Keegan Michael-Key, Chrissie Fit, Flula Borg, Brigitte Hjort Sorensen and a handful of brilliantly-implored cameos that I won't divulge all make significant contributions to aiding the film's non-stop parade of laughs. With the sheer number of s throughout and depth of comedic talent in the cast, I really hope the comedy value of Pitch Perfect 2 won't be completely overlooked this time around. Pitch Perfect 2 was a beyond pleasant surprise and I fully expect it to be one of the best comedies of the summer, if not the entire year.

4/5 Stars

Monday, May 18, 2015

Concert Review: Mastodon/Clutch (The Missing Link Tour)-- Boston, MA-- May 17th, 2015

The Missing Link Tour featuring two of the most prolific names in hard rock in Mastodon and Clutch made one of its final U.S. stops at the House of Blues in Boston, Massachusetts last night. The pairing of these grizzled veterans lived up to its billing and made for a really great evening full of good ol' fashioned rock n' roll.

Graveyard, the show's lone opening act, came on just before 7:00. I'd never heard a note of their music going into the show, but I had heard a lot of good things about them on a number of music sites and forums I frequent. To put it lightly, I don't see what all the fuss is about. Graveyard plays a style of psychedelic-tinged  blues rock that is about as exciting a marathon of Antiques Roadshow. Blues is very much a riff-driven genre, but Graveyard apparently didn't get that memo as none of their songs featured anything that even resembled a memorable riff.  Every single song they played was completely devoid of life or emotion, which made their 45-minute set an absolute chore to sit through. The entire band looked like they had just watched their family get murdered in front of them and their especially mopey vocalist's high-pitched voice did not gel with the melancholy nature of the music at all. Graveyard definitely has some talent, but they are easily one of the most boring, one-note bands I've ever seen live.

After a pretty lengthy sound check, Clutch hit the stage around 8:15. Despite their frequent touring and my constant attempts to see them every time they've been in the area over the past few years, this was my first time seeing Clutch. The lengthy wait to see them proved to be well worth it as Clutch lived up to their reputation as one of the genre's premier live acts. The whole band sounds amazing and emitted a seemingly endless amount of passion and enjoyment for what they do the entire time they were playing. Clutch's set was further bolstered by a phenomenal setlist dominated by cuts from their newest LP Earth Rocker and their 2004 masterpiece Blast Tyrant. As anyone who follows Clutch knows, their setlists change pretty dramatically on a night-to-night basis and when you have as deep of a catalog as they do, the song options are extensive, so the fact that they played so many songs from those two albums was an awesome surprise. Of the abundance of material played from Blast Tyrant and Earth Rocker, "The Mob Goes Wild", "Cypress Grove" and "Crucial Velocity" were the standouts.  Each one of these tracks are rollicking, infectious anthems that are even more fun live than they are on disc. Clutch is an outstanding live act and I'll do everything in my power to see them whenever they play in Massachusetts.

Mastodon came on to close out the night about 25 minutes later. As much as I love Mastodon, the quality of their live shows are wildly erratic. In the seven previous times I've seen them, they've been everything from mind-blowing (The Hunter tour in fall 2011) to a complete and utter trainwreck (Blood Mountain tour in spring 2007). This performance was far from the worst I've seen from them, but it still left a lot to be desired. On the plus side, they were flawless instrumentally (seeing Brent Hinds nail the incredibly difficult solo on "The Czar" was especially impressive), and the material from their relatively underwhelming new record Once More 'Round the Sun sounded much better live than I expected it to. On the other hand, their performance was dragged down by a really predictable setlist and Hinds' horrid vocal performance. Aside from "The Czar"- which I hadn't seen played live since 2010- and the new songs, they played the exact same older material they've been playing for their past four or five headlining tours. Mastodon has a dearth of material at their disposal, so it's kind of baffling that they insist on trotting out tracks like "Black Tongue", "Crystal Skull" and "Megalodon" on every tour they do. Don't get wrong, I love all of those songs, I'd just like to see them retire them briefly in favor of some different stuff from their old albums. While the bland set choices put a bit of a damper on the evening, Hinds' vocals were easily the biggest issue with Mastodon's set. Hinds has long been the weak link of the group, but last night was a new low for him. His vocals were so slurred throughout the set that I'm not even entirely sure that he was saying words. He sounded more like a drunken old man yelling at the whippersnappers in the neighborhood to get off his lawn then someone who was trying to perform music. He eventually ran out of gas from all of his incoherent rhythmic mumbling during "The Czar" and just stopped "singing" completely, which forced Troy Sanders to do all of his parts for the rest of the song. Hinds has sounded like shit for years now and this embarrassment only further proves that he needs to be relieved of his vocal duties in the band ASAP. I guarantee that this current incarnation of Mastodon would be much better if Sanders and Brann Dailor handled all of the vocals. Despite a variety of obstacles, Mastodon still put on a good show. However, I definitely won't be rushing back to see them for a ninth time if Hinds is still doing vocals.     

Scores:
Graveyard 3.5/10
Clutch 8.5/10
Mastodon 8/10

Setlists:
Clutch:
Earth Rocker
Mice and Gods
The Mob Goes Wild
The Face
The Regulator
Monsters (new song)
Cypress Grove
Son of Virginia
Crucial Velocity
Burning Beard
Our Lady of Electric Light
D.C. Sound Attack!
Profits of Doom
The Wolf Man Kindly Requests....
Electric Worry
One Eye Dollar

Mastodon:
Tread Lightly
Once More 'Round the Sun
Blasteroid
Oblivion
Chimes at Midnight
High Road
Aqua Dementia
Halloween
Bladecatcher
Black Tongue
Ember City
Megalodon
Crystal Skull

Encore:
The Czar

Thursday, May 14, 2015

2015 NFL Position Rankings: Top 50 Wide Receivers

Note: Josh Gordon of the Browns was left off this list because of the year-long suspension he'll be serving in 2015.

50.Malcolm Floyd (Chargers)
49.Terrance Williams (Cowboys)
48.Jarvis Landry (Dolphins)
47.Brian Quick (Rams)
46.Rueben Randle (Giants)
45.Mohammed Sanu (Bengals)
44.Kenny Stills (Dolphins)
43.Andrew Hawkins (Browns) 
42.Doug Baldwin (Seahawks)
41.Brandon LaFell (Patriots)
40.Stevie Johnson (Chargers)
39.Michael Crabtree (Raiders)
38.Jordan Matthews (Eagles)
37.Roddy White (Falcons)
36.Percy Harvin (Bills)
35.Larry Fitzgerald (Cardinals)
34.Keenan Allen (Chargers)
33.Marques Colston (Saints)
32.Eric Decker (Jets)
31.Mike Wallace (Vikings)
30.Michael Floyd (Cardinals)
29.Kendall Wright (Titans)
28.Andre Johnson (Colts)
27.Kelvin Benjamin (Panthers) 
26.Pierre Garcon (Redskins)
25.Victor Cruz (Giants)
24.Julian Edelman (Patriots)
23.Anquan Boldin (49ers)
22.Sammy Watkins (Bills)
21.Torrey Smith (49ers)
20.Steve Smith (Ravens)
19.Brandon Marshall (Jets)
18.Mike Evans (Buccaneers)
17.DeAndre Hopkins (Texans)
16.Golden Tate (Lions)
15.Vincent Jackson (Buccaneers)
14.Emmanuel Sanders (Broncos)
13.Jeremy Maclin (Chiefs)
12.DeSean Jackson (Redskins)
11.Alshon Jeffrey (Bears)
10.T.Y. Hilton (Colts)
9.Odell Beckham Jr. (Giants)
8.Randall Cobb (Packers)
7.Jordy Nelson (Packers)
6.Demaryius Thomas (Broncos)
5.Julio Jones (Falcons)
4.A.J. Green (Bengals)
3.Antonio Brown (Steelers)
2.Dez Bryant (Cowboys)
1.Calvin Johnson (Lions)