As an album, Another Eternity is the epitome of a grower. The compositions here are for the most part far more subtle than anything on Shrines, which means it takes multiple listen before the intricacies of each song to sink in. Once the scope and impact of these tracks are fully realized, it becomes evident that this is the most creative and consistently enjoyable material has produced in their career thus far.
Purity Ring doesn't waste any time establishing the musical melting pot vision they had for this record. Within the first five tracks, they explore alternative R&B ("Heartsigh"), syrupy mainstream pop ("Push Pull") and ambient electro with hints of pulse-pounding house music thrown in good measure ("Stranger than Earth"). This stretch of Another Eternity does a great job of exposing a level of versatility that's largely been buried in their prior material.
The increased offerings away from the electronic genre shine a spotlight on just how fantastic the vocals of Megan James are. Her vocals are often masked by robotic vocal effects , but the cleaner approach taken on the aforementioned "Push Pull" and "Heartsigh" allow the raw, authentic beauty of her vocals to shine through. James is as capable of a vocalist as there is in the pop genre and this album is the perfect showcase of just how truly talented she is. Producer Corin Roddick also goes out of his wheelhouse by showing that he's capable of producing tracks that contain more than densely layered synth lines and thumping bass. Roddick's production here is predominantly based around mellow synths and snare drums, which creates a haunting, dream-like atmosphere that remains consistent throughout the album's frequent genre changes. With his work on Another Eternity, Roddick proves to his critics that he's far more than a one-dimensional electronic music producer.
The more nuanced style and level of experimentation establishes a welcome sense of diversity in Purity Ring's music, but there's no denying that they're still at their best when they're making pure synth pop track. The psychedelic abrasiveness of Roddick's production paired with the abstract beauty of James' vocals on these tracks makes for a special listening experience that aren't duplicated on their journeys away from the genre. The trio of synth-driven bangers ( "Flood on the Floor", "Dust Hymn", "Sea Castle") that appear on Another Eternity are intelligently placed in succession on the second half of the album to maximize their impact. The pure visceral force of these tracks is astonishing and makes for 12 of the most invigorating minutes of music to be released in the early part of 2015. It's a damn shame that there isn't more synthpop songs on Another Eternity because just about every other song on the album fails to match the heights that are reached on these three tracks.
Another Eternity reflects the work of a more mature, adventurous version of the Purity Ring the independent music world fell in love with a few years ago. While their experiments don't always end well (particularly on the obnoxious "Bodyache" and one-note bore ironically named "Repetition") the fact they're willing to take so many risks is refreshing in a time where pop music is becoming more and more bland by the day. Walking a fine line between dance-friendly, synth-driven electronic music and radio-ready pop is difficult, but Purity Ring has the creative drive and consistently strong production values to make it work.
3.5/5 Stars
Standout Tracks
1.Flood on the Floor
2.Sea Castle
3.Stranger Than Earth
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