Showing posts with label 50 most underrated albums of the 2000's. Show all posts
Showing posts with label 50 most underrated albums of the 2000's. Show all posts

Tuesday, May 12, 2015

50 Most Underrated Albums of the 2000's So Far: #15-1 + Full Recap

As a result of getting caught up in writing other things, I never got to around to finishing my 50 most underrated albums of the 2000's so far countdown. Well after a nearly eight month hiatus since the unveiling of #16 and 15 months after I started the countdown, the series will finally be coming to a close today. Below are the write-ups for the last 15 albums in the countdown and a full recap of the entire list for people that missed (or read and forgot about it since I started this countdown during the Eisenhower administration) the rest of the series. Hope you all enjoy and I apologize for taking so long to finish this up.

15.As I Lay Dying-The Powerless Rise (2010):
After the much-acclaimed An Ocean Between Us was released in 2007, people failed to take notice of As I Lay Dying's subsequent releases. Their follow-up to an An Ocean Between Us, The Powerless Rise, took everything that made An Ocean Between Us great and raised it to the next level. The compositions were more complex than ever with an enhanced emphasis on technicality and melody, and Tim Lambesis delivered the most ferocious vocal performance of his career. After the release of good but not great Awakened in 2012 and departure of everyone in the band besides drummer Jordan Mancino after Lambesis was sentenced to prison for six years after pleading guilty to a felony charge of attempted murder solicitation in April 2014, The Powerless Rise can now be viewed as the swansong of one of the greatest metalcore bands of all-time.
Standout Tracks 1.Without Conclusion 2.Anodyne Sea 3.The Plague
 
14.Children of Bodom-Hate Crew Deathroll (2003)
Hate Crew Death Roll was the last truly special album that Finnish extreme metal icons Children of Bodom  released and for that reason alone, it will always have a special place in my heart. Hate Crew Deathroll is 37 minutes of catchy, over-the-top, synth-driven melodic death metal that is every bit as relentless as it is memorable.
Standout Tracks 1.Needled 24/7 2.Triple Corpse Hammerblow 3.Bodom Beach Terror


13.My Chemical Romance-Three Cheers for Sweet Revenge (2004)
My Chemical Romance is largely written off as a band because of the way they dressed and their emo-influenced lyrics. If you put aside their image and lyrical content and just focus on the music itself, they crafted some of the best pop punk to ever be released,and their breakout 2004 release Three Cheers for Sweet Revenge was their seminal piece of work. Three Cheers for Sweet Revenge has all the big hooks and bouncy melodies you've come to expect from pop punk with bursts of post-hardcore aggression and mature introspection to make them stand out from their sunnier peers like blink-182 and Taking Back Sunday.
Standout Tracks 1.Thank You for the Venom 2.To the End 3.The Ghost of You

12.The Faceless-Autotheism (2012)
The long delayed third LP from progressive/technical death metal titans The Faceless may not have been the groundbreaking masterpiece 2008's Planetary Duality was, but it showed The Faceless was capable of taking their music in a more straight-up progressive direction without losing any of the raw abrasive power that made their earlier releases special.
Standout Tracks 1.Autotheist Movement I-III 2.In Solitude 3.Accelerated Evolution


11.Unearth-Darkness in the Light (2011)
If I had allowed bands to have more than one release appear on this countdown, Unearth's entire discography would be on this list. However, in a career full of overlooked gems, Darkness in the Light is the most criminally under-appreciated. Darkness in the Light is essentially an unofficial "best of " album for Unearth as they combined the unadulterated heaviness of III: In the Eyes of Fire with the melodic undertones and technicality of The Oncoming Storm and The March. Darkness in the Light is a monstrous assault on the senses that showcases everything that makes Unearth great over the course of a single album. 
Standout Tracks 1.Arise the War Cry 2.Coming of the Dark 3.Eyes of Black  
 

10.Skeletonwitch-Beyond the Permafrost (2007)
Beyond the Permafrost was the first time a majority of the metal world was introduced to Skeletonwitch and the Ohio-based quintet were able to make quite the impression with their Prosthetic Records debut. Their hybrid of thrash metal compositions and energy with black metal vocals made for a unique sound that packed a serious wallop and made Beyond the Permafrost one of the most consistently memorable releases in recent memory.
Standout Tracks 1.Upon Wings of Black 2.Within My Blood 3.Soul Thrashing Black Sorcery


9.Fallujah-The Harvest Wombs (2011):
Of all the debut albums I've heard in the past five years or so, none have been as polished, ambitious or flat-out fantastic as Fallujah's The Harvest Wombs. The Harvest Wombs is able to stand out because of Fallujah's ability to expertly incorporate beautiful ambient melodies into crushing technical death metal. The Harvest Wombs is an immense album that instantly cemented Fallujah as one of the most innovative young bands in extreme metal.
Standout Tracks 1.Become One 2.Assemblage of Wolves 3.Prison of the Mind


8.After the Burial-Rareform (2008):
When it comes to deathcore, it doesn't get any better than After the Burial's Rareform. Rareform took the breakdown and guttural vocal-driven formula deathcore had been known for at the time, and turned on its head with heavy use of Meshuggah-esque grooves, stunning prog melodies and awe-inspiring guitar solos from Trent Hafdahl. Rareform defied the stereotype that all deathcore is simple and monotonous, and it deserves to be recognized as one of the most important extreme metal releases of the new millennium.
Standout Tracks 1.Berzerker 2.Drifts 3.Ometh
 
7.letlive.-Fake History (2010)
Some people might not agree with this pick because it got a considerable amount of love in a lot of online music circles. However, I feel this record still didn't get anywhere close to the attention it deserved hence why I put it on this list. Before I heard Fake History, I was beginning to believe that post-hardcore was becoming a dead genre. Every release was rooted in the same trite, whiny garbage while there was seemingly no bands set to emerge and break the increasingly stale mold set by the band's at the forefront of the scene. Letlive. changed that. With a versatile frontman in Jason Butler -who could tackle banshee-esque screaming and beautiful clean singing with equal proficiency, and instrumentation that wasn't afraid to shift tempos on a dime, letlive. was able to create an infectious album that incited chaos and demanded the listener's attention throughout. Fake History was the giant middle finger to convention post-hardcore needed to become an inspired genre again.
Standout Tracks: 1.Homeless Jazz 2.The Sick, Sick 6.8 Billion 3.Renegade 86'
 

6.System of a Down-Hypnotize (2005)
System of a Down's last studio album is also their most polarizing and I could honestly never figure as to why that was. It has all the zaniness and high volume of wholly memorable tracks you'd come to expect from System of a Down record and for my money, is a much more consistent record than its beloved predecessor, Mesmerize. Hypnotize was an amazing and fitting capstone on the all-too-short career of System of a Down.
Standout Tracks 1.Stealing Society 2.U-Fig 3.Attack  

5.Painted in Exile-Revitalized (2009)
Revitalized may only be a 3 song EP, but it's 100x more memorable than most LP's could dream of being. In just three songs that span just under 30 minutes, Painted in Exile is able to make one of the most captivating and gleefully strange progressive metal records of the 21st century so far. The tonal shifts from jazz to death metal to prog may sound jarring on paper, but they're all brilliantly executed and it's absolute joy to listen to all the twists and turns unfold. It pains me so much that these guys are still an active band yet they STILL haven't released anything since Revitalized. 
Standout Tracks 1.Revitalized 2.Distanced by Dissonance 3.Skylines 


4.Protest the Hero-Scurrilous (2011)
 Canadian progressive metal act Protest the Hero has released a lot of excellent material since they burst onto the scene in 2007 with Keizia, but nothing has topped the heights they achieved with their third LP Scurrilous. After releasing two albums centered around fictional narratives, vocalist Rody Walker decided to go the more personal route with his lyrical storytelling on Scurrilous, and it makes for one of the most poignant listening experiences I've had in my entire life. Walker bears his soul on everything from failed relationships to the experience of watching one of his best friends fight cancer to the shadiness of the record industry with equal potency and honesty. Walker backs up his phenomenal lyrics with an emotionally-charged vocal performance that showcases his insane range even more than he did on their past releases. Walker's tour-de-force vocal/lyrical performance paired with the relentless technicality that this band has become known for makes Scurrilous a powerful musical ride that can not be shaken under any circumstances.
Standout Tracks 1.C'est La Vie 2.Dunsel 3.Termites  

3.The Dillinger Escape Plan-Option Paralysis (2010):
The Dillinger Escape Plan are synonymous with praise from critics and audiences alike, but the one album of theirs that is vastly overlooked is the best of their entire discography. Option Paralysis brought Dillinger's sound to the next level by incorporating more melody into the fold without disregarding Dillinger's trademark tornado-esque chaos. The Dillinger Escape Plan had always been a great band, but they didn't truly flourish until the release of Option Paralysis.
Standout Tracks 1.Widower 2.Chinese Whispers 3.Gold Teeth on a Bum


2.The Red Chord-Clients (2005)
I've said before it and I'll say it again: The Red Chord is the most underrated extreme metal band of all-time, and there is no greater evidence of their brilliance than 2005's Clients. Clients combines the spastic nature of grind with the crunch of brutal death metal and the precision of technical death metal to make a one-of-a-kind biting powerhouse of an album. Behemoth's Demigod , Necrophagist's Epitaph and Nile's Annihilation of Wicked are largely regarded as the most important death metal releases of mid 2000's, but as far as I'm concerned, that distinction goes to Clients.
Standout Tracks 1.Antman 2.Black Santa 3.Blue Line Cretin
  

1.Coheed and Cambria-Good Apollo I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness (2005):
With From Fear Through the Eyes of Madness, Coheed and Cambria was able to create a modern day prog opus that beckons back to the days when bands like Rush and King Crimson were producing album after album of complex, nerd-friendly prog fare. From the eerie strings of intro "Keeping the Blade" to the triumphant four-part closer "The Willing Well", Claudio Sanchez and co. take the listener on an enthralling, endlessly complex and consistently brilliant musical journey that is simply unforgettable. From Fear Through the Eyes of Madness is a stone cold classic that deserves to mentioned in the same breath as In The Court of the Crimson King and Moving Pictures in the greatest prog album of all-time discussion.
Standout Tracks 1.Ten Speed (Of God's Blood and Burial) 2.The Willing Well I-IV 3.Crossing the Frame

Full-list recap:
50.All Shall Perish-This is Where it Ends (2011)
49.Big K.R.I.T.-K.R.I.T. Wuz Here (2010)
48.Dropkick Murphys-The Warrior’s Code (2005)
47.Animals as Leaders-Weightless (2011)
46.3 Inches of Blood-Fire up the Blades (2007)
45.Son of Aurelius-The Farthest Reaches (2010)
44.Alkaline Trio-Crimson (2005)
43.Municipal Waste-The Art of Partying (2007)
42.Alice in Chains-Black Gives Way to Blue (2009)
41.Fleshgod Apocalypse-Agony (2011)
40.Lazarus A.D.-The Onslaught (2009)
39.Lamb of God-Resolution (2013)
38.Parkway Drive-Horizons (2007)
37.A Loss for Words-No Sanctuary (2011)
36.Arch Enemy-Khaos Legions (2011)
35.Andrew W.K.-I Get Wet (2001)
34.Born of Osiris-The Discovery (2011)
33.Battlecross-War of Will (2013)
32.Cannibal Corpse-Kill (2006)
31.Doom-Born Like This (2009)
30.Machine Head-Unto the Locust (2011)
29.God Forbid-Earthsblood (2009)
28.Killswitch Engage-As Daylight Dies (2006)
27.Slipknot-All Hope is Gone (2008)
26.Avenged Sevenfold-City of Evil (2005)
25.Hope for the Dying-Altheia (2013)
24.Revocation-Existence is Futile (2009)
23.Behemoth-Evangellion (2009)
22.Atmosphere-Seven's Travels (2003)
21.Last Chance to Reason-Level 2 (2011)
20.Sylosis-Monolith (2012)
19.The Story So Far-Under Soil and Dirt (2011)
18.All That Remains-The Fall of Ideals (2006)
17.Hatebreed-The Rise of Brutality (2003)
16.Intronaut-Valley of Smoke (2010)
15.As I Lay Dying-The Powerless Rise (2010)
14.Children of Bodom-Hate Crew Deathroll (2003)
13.My Chemical Romance-Three Cheers for Sweet Revenge (2004)
12.The Faceless-Autotheism (2012)
11.Unearth-Darkness in the Light (2011)
10.Skeletonwitch-Beyond the Permafrost (2007)
9.Fallujah-The Harvest Wombs (2011)
8.After the Burial-Rareform (2008)
7.letlive.-Fake History (2010)
6.System of a Down-Hypnotize (2005)
5.Painted in Exile-Revitalized (2009)
4.Protest the Hero-Scurrilous (2011)
3.The Dillinger Escape Plan-Option Paralysis (2010)
2.The Red Chord-Clients (2005)
1.Coheed and Cambria-Good Apollo I'm Burning Star IV: From Fear Through the Eyes of Madness (2005)

Monday, October 6, 2014

50 Most Underrated Album of the 2000's (So Far): #16

16.Intronaut-Valley of Smoke (2010)
Progressive metal fans consistently manage to build up hype steadier and stronger than fans in just about every other metal subgenre. For whatever reason, California prog/sludge veterans Intronaut have largely alluded that hype over the years. Of all their great records in their catalog, their 2010 LP, Valley of Smoke, is easily the most shamefully overlooked. Valley of Smoke marked a turning point in Intronaut's career as it was their first foray into full-blown prog metal. While the grimy sludge riffs they'd become known for were still heavily in the picture, the band made prominent use of clean vocals for the first time in their career.  Seeing a band that had exclusively used gruff screams in the past, make such great use of clean vocals was a complete shock. Co-frontmen Sacha Dunable and Dave Timinck displayed legit vocal chops and had plenty of excellent duel vocal harmonies throughout.The clean vocals were a great new addition for Intronaut, but the rhythm section of bassist Joe Lester and drummer Danny Walker were once again stole the show. The chemistry and mind-boggling skills these two have give Intronaut a special dynamic that just can't be matched or duplicated by any of their peers. Valley of Smoke is one of the striking, beautiful and genre-bending pieces of progressive metal of the past 15 years, and its beyond me how its failed to garner much attention in the scene over the years.

Standout Tracks

Monday, September 22, 2014

50 Most Underrated Albums of the 2000's (So Far): #17

                                    17.Hatebreed-The Rise of Brutality (2003)
Since their inception, Connecticut hardcore group Hatebreed have been churning out relentlessly heavy and passionate records dealing with themes of depression, substance abuse and overcoming any obstacle life throws at you. Despite all their records following pretty much the same blueprint, none of their records are as inspiring, emotionally resonate and consistently hard-hitting as their 2003 LP The Rise of Brutality. What makes The Rise of Brutality stand out amongst the rest of Hatebreed and the sea of other similar hardcore bands is the anthematic quality that every song has. The massive sound of the album hammers home the power of the messages vocalist Jamey Jasta lays out in the lyrics. While the sheer scope of the songs makes The Rise of Brutality a standout hardcore record, Hatebreed would not be such an earth-crushing force without Jast leading the charge. Jasta is quite possibly the most energetic, passionate and honest frontman in heavy music today. Every time he opens his mouth, it resonates with the listener. He's overcome some serious adversity in his life and uses his platform as a musician to provide hope and spread love to people that are battling serious internal issues. In a genre that is built around honesty and raw emotion, Hatebreed are the gold standard. Some people may write off The Rise of Brutality as generic crap that's exclusively for the hxC-bro crowd, but if you dig beneath the chugging guitars and constant breakdowns, you'll find one of the most profound and unforgettable records to be released since the dawn of the new millennium.

Standout Tracks

Thursday, September 18, 2014

50 Most Underrated Albums of the 2000's (So Far): #18

                                                   18.All That Remains-The Fall of Ideals (2006)                              
Metalcore became the hot shit genre in metal in the mid-2000's. While they were a number of bands responsible for the genre's breakout success, Massachusetts acts Killswitch Engage, Unearth and Shadows Fall were at the forefront of the movement. In 2006, All That Remains followed the path laid out by their Massachusetts counterparts and became the next big thing in metalcore with their second full-length, The Fall of Ideals. The Fall of Ideals offered up similar thrills as other metalcore albums with plenty of affective melodic choruses, breakdowns and quality riffage, but what made this record really stand out is the heavy melodic death metal influence throughout. Phil Labonte's screams are absolutely beast-like on tracks like "The Weak Willed", "Become the Catalyst" and "Six"- which is easily the most well-known track on the album thanks to Guitar Hero II. There is practically no one in the genre that can match up to the sheer power of Labonte's growls and high-screams. Adding to the melo-death influence here is the remarkable drumming of Shannon Lucas. Lucas-who went onto drum for The Black Dahlia Murder and Battlecross after he left All That Remains in 2007-steals the show from the other talented musicians in the band. There is no doubt in my mind that the drumming on this record was the primary reason The Black Dahlia Murder hired him almost immediately after he quit All That Remains . Unfortunately, All That Remains music took a huge nose dive in quality after this record came out; which is a damn shame because this record seemed like the perfect launching point for the band to become metalcore juggernauts.All That Remains may descended into the wasteland of radio hard rock with their recent material, but the impact and brilliance of The Fall of Ideals will never be forgotten.

Standout Tracks
1.The Weak Willed https//www.youtube.com/watch?v=M2RUU-AVvlQ
2.Whispers (I Hear You) http://www.youtube.com/watch?v=Nzv9MV79qSU
3.Six http://www.youtube.com/watch?v=M0pYWGjECLE

Wednesday, September 10, 2014

50 Most Underrated Albums of the 2000's (So Far): #19

19.The Story So Far-Under Soil and Dirt (2011)
Pop punk has seen a serious resurgence in the past few years. After fading away in the late 2000's, the genre has picked up a ton of momentum recently with a wave of new energetic, passionate bands that have connected with the audiences that made the likes of blink-182, Sum 41 and Fall Out Boy phenoms over a decade ago. There's a lot of great bands in this pop punk revival, but no one comes even close to touching California's The Story So Far. Their debut album, Under Soil and Dirt, is a large part of why I feel back in love with pop punk in early 2012. Upon first hearing Under Soil and Dirt, I could tell this band was special as they immediately brought be back to the my early teenage years and the glory days of the genre. Under Soil and Dirt checks all the boxes that are required to make a pop punk album and then some: The riffs have the perfect balance of clean pop and punk crunch, Parker Cannon is an elite vocalist who pours his heart and soul into every note, and every single song is wildly infectious. This is expertly crafted pop punk that sticks with you and only gets better as time goes on. Under Soil and Dirt is a pop punk classic that not only equals the genre's landmark albums of the 90's and 2000's, it surpasses them in every possible way.


Standout Tracks
1.High Regard http://www.youtube.com/watch?v=jVB_CIplD14
2.Roam http://www.youtube.com/watch?v=Y2E0Qz3WIqc
3.Swords and Pens http://www.youtube.com/watch?v=EbM51XeL1Dg

Saturday, September 6, 2014

50 Most Underrated Albums of the 2000's (So Far): #20

20.Sylosis-Monolith (2012)
Despite the fact I listen to and review a ton of music, there are still plenty of seasoned bands that manage to slip by me. British melodic death thrashers Sylosis is a prime example of this. It wasn't until they landed a spot opening for Lamb of God in fall 2012 to promote their third full-length, Monolith, that I decided to finally check them out. After hearing Monolith, I immediately hated myself for sleeping on them for years. Monolith takes the speed and blistering solos of thrash metal and combines it with the stunning melodies of progressive metal. Vocalist/lead guitarist Josh Middleton is the driving force behind the success of Monolith. Middleton's vocals perfectly fit the melting-pot tone of the album as his screams borrow from Gothenburg melo death and 80's thrash metal with a handful of really affective clean vocals lines thrown in for good measure. While his vocals are excellent, Middleton's guitar work is even more impressive. Middleton lays down a barrage of amazing heavy and melodic riffs and dizzying solos that serve as the backbone for the album. Monolith is a complex and diverse listen that serves as immensely rewarding listen to thrash, melodic death and progressive metal fans alike.

Standout Tracks
1.Out from Below http://www.youtube.com/watch?v=q_qf_fc7GDY
2.What Dwells Within http://www.youtube.com/watch?v=Xoj66CSdCzg
3.A Dying Vine http://www.youtube.com/watch?v=p2dFG7-09P0
     

Monday, August 4, 2014

50 Most Underrated Albums of the 2000's (So Far): #21

21.Last Chance to Reason-Level 2 (2011)
In the world of perfect pairs, none are nerdier than the combo of progressive metal and video games. Maine's Last Chance to Reason channels this paring into pure nerd bliss on their second video game-inspired concept album, Level 2. The spastic synthesizers and constant tempo changes on Level 2 gives the listener a rush that is not unlike the one you receive when your enthralled in a good video game. Even if you're not a gamer, there's still plenty to like about Level 2. Mike Lassard is one of the strongest vocalists in the genre and the mad scientist who is responsible for Last Chance to Reason's unique, nerd-friendly identity. Lassard's delivery and range is eerily similar to Between the Buried and Me's lauded frontman Tommy Rodgers with his ability to switch between soulful falsetto and fierce screams on a whim. Not to be outdone by Lassard, guitarist A.J. Harvey is a sneakily gifted guitarist who prefers subtlety, but isn't afraid to rip out a face-melting solo when called upon and drummer Evan Sammons is an incendiary presence behind the kit with a barrage of fills and blast beats that perfectly fit the various directions this album goes in. Level 2 should've been the album that launched the career of Last Chance to Reason, but instead was a precursor to their eventual demise as a band. Their next record, 2013's Level 3, would be their last as a full-time band as Lassard joined The Contortionist as their new permanent vocalist in June 2013, which subsequently made LCTR a side project. Level 2 was the indisputable peak for Last Chance to Reason as a band and is easily one of the ambitious, well-written and consistently engaging prog metal records to be released in recent years.
 
Standout Tracks

Thursday, July 24, 2014

50 Most Underrated Albums of the 2000's (So Far): #22

22.Atmosphere-Seven's Travels (2003)
Hip-hop group Atmosphere finally released the masterpiece they had hinted at in their years of grinding in the underground scene with 2002's God Loves Ugly. Some acts take a steep decline after releasing a landmark album, but for Atmosphere the release of God Loves Ugly marked the beginning of a streak of excellent releases for the group. Seven's Travels, the immediate follow-up to God Loves Ugly, marks the last of Atmosphere's not entirely serious records and remains a highly enjoyable and refreshingly original listen over a decade after its release.The bizarre interludes scattered throughout prevent it from reaching the heights of God Loves Ugly, but the actual songs are some of the strongest Atmosphere has ever released. "Trying to Find a Balance" is the perfect Atmosphere song with its anthematic hook, powerful lyrics and memorable production while the grimy banger "Cats Van Bags" is an uncharacteristically aggressive track from the typically laid-back duo. While Seven's Travels is mostly a light listen, there are some profound tracks ("Reflections", "Bird Sings Why the Caged I Know", "Suicidegirls") that pack a serious emotional punch. Seven's Travels is the perfect antithesis for the varied behemoth of a record that was God Loves Ugly and the somber material of the records that followed it.

Standout Tracks
1.Trying to Find a Balance http://www.youtube.com/watch?v=X51sL4SzVG4
2.Cats Van Bags http://www.youtube.com/watch?v=ZeTa8BSiih0
3.Reflections http://www.youtube.com/watch?v=llDczT9BzAg

Wednesday, July 16, 2014

50 Most Underrated Albums of the 2000's (So Far): #23

23.Behemoth-Evangelion (2009)
Poland blackened death metal icons Behemoth made a triumphant comeback earlier this year with The Satanist- their first record to be released since vocalist/guitarist Nergal beat leukemia. However, Evangelion, their last record to come out prior to their multi-year hiatus is an even more savage and fulfilling listen than The Satanist. Evangelion takes Behemoth's pummeling death metal sound and beefs it up with a beautifully contrasting middle-eastern influence. The use of sitars, spoken-word pieces and Arabian-inspired guitar scales make Behemoth's already epic sound even more grandiose. Evangelion has all the ferocity of a typical Behemoth record with an added layer of excitement and experimentation with music from an area of the world that needs more exposure. 
Standout Tracks
     

50 Most Underrated Albums of the 2000's (So Far): #24

24.Revocation-Existence is Futile (2009)
In late 2009, the music video for Revocation's "Dismantle the Dictator" went viral in the metal community. The video captivated the masses thanks to the virtuoso guitarwork from vocalist/guitarist David Davidson and their unique sound that was an equal blend of death, thrash and progressive metal. The success of the video for "Dismantle the Dictator" served as the catalyst for Revocation becoming one of the most popular bands in modern extreme metal over the past several years. While "Dismantle the Dictator" got plenty of attention, the album it's featured on, Existence is Futile, did not. Existence is Futile is loaded with tracks that feature the same technical wizardry and infectious ferocity that made "Dismante the Dictator" such a breakout hit. The high-flying solowork, crunching riffs and soaring melodies of "Pestilence Reigns", "Deathonomics" and "Leviathan Awaits" are further proof that Davidson is the most gifted guitarist of his generation, while instrumental tracks "Enter the Hall" and "Across Forest and Fjords" focus more on the impressive dynamic Revocation has as a group. The most overlooked aspect of Existence is Futile is the fact that Revocation was only a three-piece at the time this was recorded. Having a band that makes music that's this complex and powerful with only three members is a huge accomplishment. Revocation went onto to add a second guitarist during the touring cycle for Existence is Futile and went onto sound even more immense after doing so, but I'll never stop being impressed by how big of a sound they were able to achieve as a trio on this record. Existence is Futile is the record that laid down the blueprint for Revocation to become one of the biggest forces in modern extreme metal.

Standout Tracks
1.Pestilence Reigns http://www.youtube.com/watch?v=LPFsBWPPu-Q
2.Leviathan Awaits http://www.youtube.com/watch?v=6-EaVzXvZL0
3.Dismantle the Dictator http://www.youtube.com/watch?v=mmg3jr7Bhfo

Tuesday, July 15, 2014

50 Most Underrated Albums of the 2000's (So Far): #25

25.Hope for the Dying-Aletheia (2013)
2013 was full of hidden gems, but none fell more under-the-radar than Aletheia by Illinois metalcore act Hope for the Dying. Hope for the Dyings definitely bears a resemblance to Between the Buried and Me, with a number of songs that run between 7-13 minutes and are loaded with well-executed tempo changes that sprawl across a number of genres and off-the-charts technicality. The dynamic instrumentation Hope for the Dying uses here makes heavy use of instruments such as acoustic guitars and keyboards, that don't normally have a place in metalcore. The old-school black metal-inspired keys are the star of the band setting an undeniably dark and unpredictable tone that Aletheia embodies throughout. Occasionally, Hope for the Dying break their experimental mold and uses traditional metalcore staples such as clean vocal lines and breakdowns to perfection. The presence of these genre cliches may bother some people, but I have no problem with either when they're used to punctuate the power of the music like they are on this record. With Aletheia being Hope for the Dying's third full-length, I'm honestly disappointed that took me this long to find such a talented and adventurous young band that challenges the rules of progressive metalcore. If you dig bands like BTBAM, The Human Abstract and Misery Signals, you need to check out Aletheia immediately.
Standout Tracks

 

Wednesday, July 9, 2014

50 Most Underrated Albums of the 2000's (So Far): #27

27.Slipknot-All Hope is Gone (2008)
As someone who grew up listening to nu-metal, I'll always have a soft spot for Slipknot. While they've never been one of my absolute favorite bands, they've made some great tracks and a couple of excellent records over the years. Nine years after dropping their classic, angst-ridden self-titled debut, Slipknot finally buckled down and released another noteworthy album in All Hope is Gone. Slipknot will always be known as the over-the-top angry band, but on All Hope is Gone, their trademark rage was transferred from the more simplistic "fuck the world" anthems of their early years to more dense topics such as politics and dealing with the loss of friends and loved ones. The change in lyrical topics was refreshing for the band and ended up making a huge difference for the quality of the record. It just wouldn't feel natural if they were still making songs like "Surfacing" and "People=Shit" in their mid-to-late 30's so kudos to them for changing things for the better at this stage of their career. That growth in the lyrical department carried over to the actual music as well. All Hope is Gone is simultaneously the heaviest and most experimental record Slipknot has ever released with songs that range from full-on ragers ("Wherein Lies Continue", "This Cold Black", "Gemartia (The Killing Name)" to country-tinged ballads ("Snuff"). Above all,  All Hope Gone will go down as the last Slipknot record to feature the late Paul Grey and Joey Jordison. Grey and Jordison's contributions will be sorely missed on the new Slipknot record- which could end up being released by the end of 2014. All Hope is Gone is a page-turning album for Slipknot that shows substantial growth as musicians without giving up any of the raw energy and anger that put them on the map.
Standout Tracks

Monday, June 9, 2014

50 Most Underrated Albums of the 2000's (So Far): #29

 29.God Forbid-Earthsblood (2009)
God Forbid broke up in August 2013 after being the single most unheralded act in metalcore for almost 20 years. In a discography that is loaded with overlooked gems, their 2009 release Earthsblood stands out the most. Earthsblood saw God Forbid entering a more traditional melodic death metal territory than their previous four releases. Dallas Coyle was given more times to shine with his unique clean vocals, the riffs are consistently catchy and immense, and above all, the compositions are a lot more complex and memorable than anything they had done in the past. Earthsblood is the work of a veteran band that had a strong command over their sound and successful expanded it without ignoring their roots. I can only hope at some point in  the near or distant future that this record and God Forbid on the whole will get the recognition they deserve. These guys are way too good to stay a relatively well-kept secret forever.
 
Standout Tracks
3.The Rain (w/The Discovery intro) http://www.youtube.com/watch?v=21MfqtMbMdc

Friday, May 23, 2014

50 Most Underrated Albums of the 2000's (So Far): #33

33.Battlecross-War of Will (2013)
 Michigan's newest metal behemoth Battlecross is often written off because they tour frequently and relentlessly pimp their band on social media. Don't let the ridiclous, unjustified backlash against them fool you: Battlecross is not only the real deal, but one of the most promising up-and-coming acts in the extreme metal scene. They play a combination of thrash and melodic death metal that is heavy on killer riffs (of both the fast and melodic variety) and breakneck energy. War of Will serves as a natural progression from their impressive 2011 breakout record Pursuit of Honor. The skeleton of what made Pursuit of Honor special is still present, they've just gotten better at their niche. The songwriting is more polished with a big improvement on their melo-death end of their sound especially and the production is far cleaner than before. The band is also freakishly talented across the board. Guitarist Tony Asta effortlessly rips through fret-melting solos, Don Slater is a rare talent on bass that is actually given ample time to shine and not pushed into the background like a majority of his peers, vocalist Kyle "Gumby" Gunther has a sinister tinge to both his high-pitched and low-pitched screams and session drummer Shannon Lucas (ex-The Black Dahlia Murder and All That Remains) proves once again why he is a modern legend in the scene. War of Will is the work of a band that demands respect in the metal community.

Standout Tracks
Full record link: http://www.youtube.com/watch?v=rjmW_Tw-Xh8
1.Wage a War
2.Never Coming Back
3.Get Over It

Wednesday, May 21, 2014

50 Most Underrated Albums of the 2000's (So Far): #34

34.Born of Osiris-The Discovery (2011)
Prior to the release of their third LP The Discovery, Born of Osiris had already established themselves as a tight, precise progressive deathcore act with their first two records, The New Reign and A Higher Place. The Discovery was such a monumental improvement for Born of Osiris that it almost seemed like a different band had recorded it. This large jump in quality on The Discovery can be attributed to the addition of guitarist Jason Richardson to the lineup. Richardson was a far superior songwriter and guitarist than anyone the band had had in the past. Richardson took the band in a more progressive and technical direction, replacing much of the chugging monotony of their earlier material with beautiful harmonies and blistering guitar leads.  Richardson's presence was seemingly contagious as everyone else in the band stepped their game up on The Discovery as well. Ronnie Canizaro's vocals were sharper than ever, Joe Buras' keyboard sections became more prominent and experimental, and, drummer Cameron Losch seemed to have doubled the speed of his blast beats from A Higher Place.  Richardson unfortunately quit the band in late 2011 and Born of Osiris has since regressed back to being a solid albeit unremarkable act in the progressive metal realm. The Discovery is a remarkable record that is buried in Born of Osiris' otherwise good, but not particularity noteworthy discography.     
Standout Tracks